Zaragoza, Spain ArchitectsConstruction materials and mechanisms will be studied based on the functional requirements of the system. These investigations Ifproyecta will lead to recommendations for mechanical means to achieve the prescribed architectural and performance specifications.
The projects also include more city-led, permanent ones like the design of this “urban plaza” from 2010. Mangado’s choice to showcase this material makes a lot of sense, as ceramics are durable, locally sourced building materials that do not deteriorate or change color when exposed to sunlight. Mangado’s Spanish Pavilion was originally constructed for the 2008 Zaragoza World Expo, which drew architects from around the globe to build incredible feats of forward-thinking architecture focused around the themes of water and sustainable development. The new building goes up on the Milla Digital , an area recovered from the grounds of the old El Portillo train station.
In the Courthouse in Zaragoza the handing of the panel is improved by transforming the metallic frame needed to support it into the structure required for bearing the aluminium metalwork. The sandwich panel enclosure is clearly shown from both outside and inside, being accompanied by a minimal structure.
The city has become aware of the enormous competition among European cities in this day and age, and in a span of less than 10 years will undergo a radical recreation. Zaragoza is gathering the ten elements of the portfolio we describe in our study The Re-Creation of the European City.
The focus in the project to the outdoors is reflectd in the definition of ground plane materials and gardening. Evergreen species, with natural grass, help to create an atmosphere that defines the nature of the kindergarten while deciduous species offer a changing appearance through the seasons.
During the second half of the 19th century, the Revivalism dominated the scene in Europe, and so happened in Spain. Architects focused in choosing which was the most appropriated historical style for each use or occasion. Neoclassicism opened the gates to Neo-Byzantine, Neo-Gothic, Neo-Renaissance, Neo–Baroque, Egyptian Revival, Neo-Mudéjar, and so on. Spanish colonial Chinese influence exclusive to Spanish East Indies was born when Spain colonized what is now the Philippines, in South East Asia. Pre-Spanish Philippine architecture was based on the native nipa hut, which corresponds to the tropical climate, stormy seasons, and earthquake prone environment of the archipelago.
Modernisme broke with past styles and used organic forms for its inspiration in the same way as the concurrent Art Nouveau and Jugendstil movements in the rest of Europe. Most famous among the architects represented there is Antoni Gaudí, whose works in Barcelona and spread in other parts of Catalonia, León and Cantabria, mixing traditional architectural styles with the new, were a precursor to modern architecture. Perhaps the most famous example of his work is the still-unfinished Sagrada Família basilica, the largest building in the Eixample.
These resulted in the formulation of a Management Plan for the Mudéjar sites, with particular attention to the ten inscribed components, as well as comprehensive documentation to facilitate research and dissemination. It is expected that conservation work will also be systematically analysed to better understand the historical evolution of these buildings. Currently, the component parts of the property are administered according to the general regulatory framework for the protection and conservation of Cultural Heritage Sites of the Cultural Heritage of Aragon.
If you happen to be travelling at the end of February or the beginning of March, you’re in luck! Head for theAnnual Tapas & Miniature Cuisine Festivalin the Rabal area of the city. As with many of Spanish cities, you can peel back the layers of history by walking around the different neighbourhoods. And because it’s still a major hub for services, manufacturing and distribution, the city centre is always buzzing and the transport links are excellent.
The Zaragoza Bridge Pavilion is composed of four elements, which overlap each other like petals and form a diamond in the cross section. Inspired by the variety of nature, the main pavilion spans the Ebro River and opens up like a gladiola blossom. The pavilion’s most striking feature is its staggered ceramic brise soleil composed of specially designed Decorativa tiles, which shield the building’s glass façade from the intense Spanish sun. The form and function of these pillars was inspired by the historic use of ceramics in the surrounding Aragon region. The strategy is based in the concept of “mat-building”, from the definition of the class as a unit or cell-types and their grouping into an open, flexible and extensive nature, setting up a rug or carpet on the ground, which defines the alternation between interior and exterior spaces. Other notable Catalan architects of that period include Lluís Domènech i Montaner and Josep Puig i Cadafalch, although their approach to Modernisme was largely more linked to Neo-Gothic shapes.
Levantine Gothic is characterised by its structural achievements and their unification of space, with masterpieces as La Seu in Palma de Mallorca; the Valencian Gothic style of the Lonja de Valencia (Valencia's silk market), and Santa Maria del Mar . Decoration has resemblance to the Visigothic based in volutes, swastikas, and vegetable and animal themes forming projected borders and sobriety of exterior decoration. Some innovations are introduced, as great lobed corbels that support very pronounced eaves. A great command of the technique in construction can be observed, employing ashlar, walls reinforced by exterior buttresses and covering by means of segmented vaults, including by the traditional barrel vaults. The fourth period belongs to the reign of Alfonso III (866–910), where a strong Mozarabic influence arrived to Asturian architecture, and the use of the horseshoe arch expanded. A fifth and last period, which coincides with the transfer of the court to León, the disappearance of the kingdom of Asturias, and simultaneously, of Asturian Pre-Romanesque.
Its streets and small squares conceal a splendid array of monumental architecture. Strategically located mid-way between Madrid and Barcelona, to stroll through the old quarter of the city is to rediscover history. There are various examples of this architecture in Zaragoza of great interest and beauty which, no doubt, deserve a visit. The route of the Mudejar style of examples recognized as World Heritage by the UNESCO in Zaragoza goes from the the surviving Mudejar features of the Aljaferia Palace, the tower and parish church of San Pablo Church; and the apse, parroquieta, and cimborio of la Seo or San Salvador Cathedral.
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